Behind the Scenes Photography

Teresa Drilling on set.

Cloud photography. The clouds in this project were made of real materials.
Photograph by Vanessa Pridgen

Live feed of clouds superimposed over a still from the film. Part of the process of developing the right shape and appearance for the clouds.
Photograph by Vanessa Pridgen
Pieces of the metal skeleton being designed with a to-scale drawing of Bernard being used as a guide.

Rounding up the correct-size pinheads to make bird eyes.
Photograph by Vanessa Pridgen

An old-fashioned letter press was used to test fonts on different papers with different degrees of indentation.
Photograph by Vanessa Pridgen

Shooting footage of Elba in her cockpit. Lots of Elba animations were shot to be superimposed into existing background footage of her ship.
Photograph by Vanessa Pridgen

Objects tumble from Bernard's cabin, supported by wires, rigging, tape, whatever aids in propping the item in the correct orientation in front of the camera.
Photograph by Vanessa Pridgen

A simple animation setup.
Photograph by Vanessa Pridgen

Tornado skeleton.
Photograph by Kathleen Chamberlin

Director Mark Smith and Director of Photography Reijean Heringlake shoot tornado footage.
Photograph by Vanessa Pridgen

The tornado was mounted to a rotating platform that was controlled by computer.
Photograph by Vanessa Pridgen

Testing the appearance of paper textures and pressed-in lettering under different kinds of computer-controlled lights.
Photograph by Vanessa Pridgen

This is the foundation for the largest mechanically-controlled set created for Two Balloons. It will become the ocean.
Photograph by Kathleen Chamberlin

Underneath the ocean "water" was an array of pistons giving the water movement.
Photograph by Kathleen Chamberlin

Beth Gavigan and Elicia Beebee adding texture to the artificial water.
Photograph by Kathleen Chamberlin

Assembling many textured pieces together to make an entire ocean.
Photograph by Kathleen Chamberlin

The artificial ocean from above, adding the finishing touches.
Photograph by Kathleen Chamberlin

Wave table with sunset.
Photograph by Vanessa Pridgen

Storyboards of the sequence of a line being tied between the two boats.

Diagrams of the design and colors for Bernard's balloon.



















